So we’re on an island and it’s a very dark island and you’re walking around at evening the sun is setting, and you find a crab in the ocean and you decide to make a fire and then cook it. The crab is very tasty; it’s a very rare crab. One of the smallest crabs you’ve ever seen but it’s still edible and you still decide to eat it and it’s very refreshing only… there’s no more food on the island and so you gotta keep looking for more food. Maybe you can eat a coconut but those get really boring after you just keep eating them all the time and there’s just too many coconuts and you’re just surrounded by sand and water…you know?
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Perhaps we shouldn’t be surprised that MGMT leaned heavily on the track’s psychedelic side given their track record, but even that would be an understatement, as Ben Goldwasser and Andrew VanWyngarden’s vision borders on scary acid trip territory here with robot voices, dissonant synth experiments, and barely distinguishable lyrics — certainly a decent homage to the era’s drug culture, at the very least. More notably, for us anyway, is that this just might offer a glimpse into the sonic direction the band will explore on their forthcoming third album.
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